![]() The first three cameras had tubular collapsible lenses similar to the early 35mm cameras of the early 1930s. The shutter was manually armed-rather than being automatically cocked when the film was advanced after the previous shot, as in more modern cameras. A flash attachment could be connected to the shutter by way of an ASA post-style connector. Focus was achieved by estimation and use of a depth-of-field scale on the face of the shutter assembly. The body was made of bakelite, which was a very common camera body material at that time. The Pony had a four-speed 'Flash 200' shutter, an Anaston 51 mm f/4.5 triplet lens, and a fitted leather case. While the initial version of this camera used paperbacked 828 film (as used in the Kodak Bantam cameras), the five later versions were adapted to use 35mm 135 film. His work covers the genres of Equestrian, Landscape, Abstract or Nature and combines nearly two decades of experience to offer exclusive limited-edition prints to the international stage from his film & digital photography.The Kodak Pony camera was introduced with the 828 model in 1949 as the first in a series of six Kodak Pony cameras which was produced until 1959. He is familiar with and shows great interest in medium and large format photography with products by Phase One, Hasselblad, Alpa and Sinar and has used many cinema cameras from the likes of Sony, RED, ARRI and everything in between. He is member of Nikon NPS and has been a Nikon user since the film days using a Nikon F5 and saw the digital transition with Nikon's D series cameras and is still to this day the youngest member to be elected in to BEWA, The British Equestrian Writers' Association. He is a Fellow of The Royal Society of Arts, holds a Foundation Degree in Equitation Science and is a Master of Arts in Publishing. Originally specialising in Equestrianism, his visuals have been used by the leading names in the equestrian industry such as The Fédération Equestre Internationale (FEI), The Jockey Club, Horse & Hound and many more for various advertising campaigns, books and pre/post-event highlights. If there's one you like the look of but can't find in your territory, consider one of the alternatives on the list.įor nearly two decades Sebastian's work has been published internationally. An iconic Double-X motion picture film from Eastman Kodak is now available in convenient 24 exposure 35mm rolls Each roll is DX Coded for use in all 35mm cameras and processing is standard BW, s The store will not work correctly in the case when cookies are disabled. While there are plenty of disposable cameras on the market, some do tend to go in and out of stock, especially if you're outside of the US, so we've included plenty of options on our list. X2 stands for Eastman Double-X 5222 film. They aren't even as wasteful as you might think: single-use cameras are eminently recyclable (opens in new tab), and many of the firms that produce them, like Kodak and Fujifilm, will break them down to reuse the parts in another batch rather than throwing them away. ![]() Best of all is, you get physical prints that you can hang up or keep in a scrapbook, rather than digital files left to languish on a hard drive.Ĭontemporary disposable cameras aren't just cheap plastic – manufacturers have stepped up their game, and the little shooters are much more resilient than they used to be. In contrast, disposable cameras let you experience the delayed gratification of pressing the shutter and not knowing how the shot came out for weeks on end. ![]() The feel of analog photography simply can't be replicated with a phone.
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